Monday, April 27, 2015

Standing by Peaceful Waters




There are places we all go to escape, places that just let our minds wander freely at ease. Places that become part of our own psyche. For me those places are the lakes we hike and kayak through the seasons. Every time I stand next to a lake at sunset I find a inner calm. I have found peaceful waters.




Water is essential for life and is the major component of our bodies and the earth. It is tied to the spirit and mind of humans, in forms I am sure we may never understand. But we know, we are drawn to it. Be it seaside, lake or stream we have a deep connection to water.




I think that at the bank of every lake and in every sunset there is a story. I always wonder what this place was like 50 years ago, 100 years ago or before mankind found this place, what it was like in it's primitive state, what stories this place could tell? 





John Prine tells a story about an Indian tribe that finds two babies in the woods, they name two lakes after them, Lake Marie and Lake Elizabeth.  He precedes to tell the story of those lakes and the things that happened around them, colored by time and perception as well. Have a listen.

[Chorus]
We were standing
Standing by peaceful waters
Standing by peaceful waters
Whoa wah oh wha oh
Whoa wah oh wha oh


John Prine - website




All three pochade's are 5 x 7 inches on canvas panel, check my  Etsy Store  for availability.



Explore - Question - Learn - - Enjoy, Jim


Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings



Sunday, March 29, 2015

Spring Equinox




For us here in the lower Mid-west the winter has certainly been cold, but nothing like the bone chilling, snow thumping other parts of the country have received this year. No words sound as good as winter is gone and spring has come. But I will say that I have enjoyed the palette colors of winter this season, there is something about the tones of red and yellow earth under a dramatic sky. The landscape freed of its foliage exhibits a unique anatomy and rhythm, a hidden depth and perspective accented with the bared lace of trees.




A major part of being an artist is seeing things through different eyes; observing nature in ways others might overlook, and draw attention to the beauty of simple things. When we accomplish/connect with that, we can create a shared visual experience or artistic vision that can be more compelling and authentic than reality itself.


“In every walk with nature, one receives far more than he seeks”

                                                                                                           - John Muir



Above art work:

Spring Equinox oil on panel 8 x 10 in
Spring Equinox oil sketch 5 x 7 in

Links:



Explore - Question - Learn - - Enjoy, Jim 


Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings





Saturday, January 31, 2015

Lake Murphysboro





This little plein air piece has been hanging around the studio since last fall. I was after the sunset back-lighting the mass of trees, contrasted against the reflection of colors bouncing off the water. I just thought posting it might warm us all up.

Lake Murphysboro  oil on panel 8 x 10 in © Jim Serrett



Explore - Question - Learn - - Enjoy, Jim





To see more of my work, please visit my website or my blogs.
If you are interested in purchasing any of my paintings you see here on this blog,
please contact me or visit my online store.


Website - jimserrett.com 
Studio Blog - jimserrettstudio.com
Landscape Blog - Pochade Box Paintings
My Store - Serrett Studio on Etsy




 

Tuesday, December 30, 2014

Thanks for Listening 2014





Wishing you peace, good health, and happiness in 2015.
Thank you to all my friends, colleagues, collectors, bloggers and loved ones who made 2014 such a wonderful year.
For all of you I am truly grateful.

To my wonderful wife, no words can express how thankful I am for you.

I look forward to sharing more work and ideas about the process of art in 2015!
Jim

"The real voyage of discovery consists not in seeking new landscapes, but in having new eyes."
-- Marcel Proust






Explore - Question - Learn - - Enjoy, Jim



Website - jimserrett.com
Studio Blog - jimserrettstudio.com
Landscape Blog - Pochade Box Paintings


Saturday, November 29, 2014

The Last Gleam





I have been painting a lot of sunsets lately, there is something about the magical hour just before the sun disappears over the horizon that has fascinated people for eons. For good reason, when you get the bounce of light, the last gleam, under the floating clouds it can be incredible and mystical. I wanted to capture that random sense of order, the character of the light and convey that feeling into the painting.


The Last Gleam, oil on panel, 9 x 12 in, © Jim Serrett





"Paint a little less of the facts, and a little more of the spirit."



Explore - Question - Learn - - Enjoy, Jim




Wednesday, October 22, 2014

Autumn Sky




We've kayaked to and painted this location many times and each time the scene is different.
The division of light and shade is always interesting when on the water, it is a unique interplay of reflections and shapes. As the sky changes so does the water, the cloud cover and the time of day all influence the subject and present an ever changing play of light and shadow.  And as we move from season to season the transformations become even more dramatic.
There is a beauty and complexity in the simple subject of earth, sky and water that will never cease to inspire me.  There is nothing ordinary or boring in nature if you take the time to look deep into your subject.

“It's not what you look at that matters, it's what you see.”― Henry David Thoreau

Jim Serrett, Autumn Sky Over Cedar Lake, oil on panel, 7 x 9 in.





Explore - Question - Learn - - Enjoy, Jim



Monday, September 29, 2014

Sunsets and Training the Visual Memory





The dynamic horizon at sunrise or sunset is the hardest to capture, you have either to chase the light with the brush or prepare yourself for the event. My approach has been both, to do pencil sketches and color studies on location, to use them, and my memory of the experience to create/finish pieces in the studio. The library of information I gather from observation helps me understand what I am seeing and hopefully interpret it in a meaningful way.  As I remember and conceptualize the landscape I attempt to make informed decisions, based on my observed details and the nuances of nature. However I try to be as truthful to the experience as possible, to keep in my mind’s eye that which inspired me in the first place. 





Waxing philosophical, I believe our brains are conscious of almost every experience in our life and every encounter we have, and that stored among those billions of neurons in the brain are endless images and impressions. That it is not only possible to train ones visual memory but a necessity for the artist to do so. Up until maybe the later part of the nineteenth century memory exercises of some type were part of most academic art educations. If it be as simple as practicing blind contour drawing or copying prints of sculptures as in the Beaux-Arts tradition. They recognized the importance of a highly trained visual memory as a skill an artist used in companionship with the direct study of nature. 




There are some fascinating books floating around on the subject. TheTraining of the Memory in Art and the Education of the Artist by HoraceLecoq de Boisbaudran is an interesting read and more current Memory Training for Painters by Richard Lack is well worth downloading. Also a book I have mention several times on my blogs, and on my highly recommended reading list, Harold Speed "The Practice and Science of Drawing" 1913. This is a link to his chapter The Visual Memory.  “Let us assume that you have found a subject that moves you and that, being too fleeting to draw on the spot, you wish to commit to memory. Drink a full enjoyment of it, let it soak in, for the recollection of this will be of the utmost use to you afterwards in guiding your memory-drawing.”  Page 262 Harold Speed




I see memory training as another tool in my tool box helping me interpret what I see in front of me.
Technically I've been able to slowly build glazes of color to explore those atmospheric effects I am after and was the initial inspiration.

I love this quote by Edgar Degas on the subject, “If I were to open an academy I would have a five story building. The model would pose on the ground floor with the first year students. The most advanced students would work on the fifth floor." I can imagine the advanced students dashing up and down flights of stair as they study the model and dart back to their easels to make their marks.




Explore - Question - Learn - - Enjoy, Jim


Images:

Jim Serrett, Lake Murphysboro Sunset, oil on panel 5 x 7 in
Jim Serrett, Perseids Sunset, oil on panel, 5 x 7 in
Graphite Sketch on toned paper. 
Sketchbook page

Links:


Memory Training For Painters by Richard Lack from the Classical Realism Quarterly 1990
Download pdf Here

The Training of the Memory in Art and the Education of the Artist
Horace Lecoq de Boisbaudran – Author

"The Practice and Science of Drawing" by Harold Speed

Information about:


Thursday, July 31, 2014

Sketches Cedar Lake






Have been enjoying all of this mild weather but there is never a bad day for kayaking and painting on location. This sketch was done at Cedar lake, Illinois one of my favorite painting and paddling spots.
Cedar Lake, oil on panel, 8x10 in, © Jim Serrett








Explore - Question - Learn - - Enjoy, Jim

Monday, June 30, 2014

Watercolor Color Palette - Sketchbook



Whenever I use color in a sketchbook I like to make a small color wheel and color chart to see just how the watercolor reacts and lays down on the paper. It is also a good review about basic color mixing that we tend to take for granted.  A color palette is the actual range of pigments used by an artist, learning how they behave when they are mixed together is essential. Studying color is a fundamental aspect of painting and to that end artist create color charts and color wheels.

Materials Links:




Explore - Question - Learn - - Enjoy, Jim





Friday, May 23, 2014

Sketching the Pomona Natural Bridge




The Pomona Natural Bridge is located in the Shawnee National Forest in Southern Illinois. It is a short downhill hike through a mature forest to the natural bridge. Made of sandstone the bridge is 90 feet long, 6 to 9 feet wide and 25 feet above a small stream. It is one of those unique sketching location I have found in Southern Illinois, interestingly this site was a popular tourist spot even in 1877 when the unknown artist's sketch below was drawn.




 Pomona Natural Bridge, graphite and chalk on paper 85.5 x 8.5 inches © Jim Serrett


 Explore - Question - Learn - - Enjoy, Jim