Showing posts with label Watercolor. Show all posts
Showing posts with label Watercolor. Show all posts

Tuesday, January 31, 2017

Even in Front of Nature One Must Compose.






Nearly all of my work begins with some type of preliminary sketch, either a thumbnail drawing in a sketchbook or oil study in my Pochade Box. Lately I have been spending a great deal of time sketching, gathering information outdoors and drawing from my imagination. Creating small rough abstract sketches to work out composition and design elements. 






Mainly I am using pen and ink with watercolor. I like the ink because you don’t fiddle with it as much as say a pencil sketch, you just have to lay it down with some speed and confidence. It is very permanent mark making and you simply/humbly live with what you put down and move along. Over that I wash in some color, do some crosshatching and try to capture the value and mass pattern. I call them my scribbles; and that is what they are, quick notations of design ideas based on nature.


They are exercises in capturing what I see in front of me from direct observation (the Art of Seeing) but also it is about the simple pleasure of drawing.







I look for a strong arrangement of dark and light patterns, the Japanese use the word Notan which means the "dark-light" harmony.  But a notan is also as much about shape/form, positive/negative, figure/ground relationships. It is why it is such a strong abstract design tool. I like to think of it as being the ying-yang of composition. Ever walk into a gallery full of art and be instantly attracted to a particular piece, drawn to it from across the room? Our eyes are drawn to the strong arrangements of shapes and patterns. As you learn to use this design tool you will recognize it in paintings and drawings of master artists.







Slow down mentally and take a long look at your subject, carefully choose the center of interest or theme of the piece, what it is about, what has drawn you to this motif and design outwards from that point. Simplify and edit down the elements by making them subordinate to that central idea. That is the key to good composition.







It is fun working out compositions and concepts, playing with the elements and ideas based on the anatomy of the landscape. Let them evolve and "brainstorm" many studies, before you know it you will have sketchbooks full of Composition Thumbnails which are a library of knowledge and imagination to work from.

“Even in front of nature one must compose.” ~ Edgar Degas



Color Studies:
Last Light, oil on panel, 8 x 10 in, Jim Serrett

Over the Horizon, oil on panel, 8 x 10 in, Jim Serrett




Explore - Question - Learn - - Enjoy, Jim 



Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings



Links:

Notan is a Japanese design concept involving the play and placement of light and dark as they are placed next to the other in art and imagery.





Wednesday, August 31, 2016

Further on Down the Road II



This is a pastoral scene I trek through several times a month. During the summer there always seems to be a flotilla of clouds sailing slowly across the sky. When I think of the dog days of summer this image always comes to my mind.
   
I really wanted to capture that summer atmosphere and felt that a studio piece was the best way to do that. I created the painting from a pochade study, some watercolor sketches and my memories of this place. 

Further on Down the Road II, oil on panel 9 x 12 inches © Jim Serrett




Oil color alla-prima study 5 x 7 inches


One of the characteristics of oil painting I enjoy most is the ability to create transparent, semi-transparent and opaque layers of paint. Manipulating those qualities can give an image a lot of texture and depth. I like the variation of greens you get with glazes and scumbling effects. You start playing around with the color green differently when you work in thin layers and use it to unify passages. Building up paint in layers of glazes and scumbles provides a arsenal of effects that can create atmosphere in a landscape painting.



Sketchbook watercolor study.




Sketchbook thumbnails.



I truly enjoy working through an idea with the process of creating thumbnails and roughs. Relying on observations made over time and my memory of the place, it becomes layers of thought, that for me, reach a higher level of understanding and refinement.



Explore - Question - Learn - - Enjoy, Jim 




Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings




Monday, February 29, 2016

More Travel Sketches




One of the things I like most about a pocket sketchbook is that, it's such a convenient way to explore the world through drawing. To use our observational skills and record ideas.




In this small format I like to make quick sketches and simplify, virtually creating thumbnail drawings where I filter what I need to leave out and leave in to convey the subject.




Watercolors are a different way of thinking for me then oils, they are much more spontaneous and erratic. I see painting with watercolor as a type of controlled disaster, often you just have to let it do what it wants, but then that is part of the fun.




I like to think of it as a drawing adventure and not get too overcritical about them. Rather, to look at it as developing your vision and sit back and enjoy the process. In the end, everything you put in a sketchbook is important because there are no mistakes, only lessons.




When you create a quick gesture sketch that has nice expressive and loose strokes which convey a sense of place, well that’s the big picture and what really matters.



“The best way to have a good idea is to have a lot of ideas.” - Linus Pauling



Sketches are in a Moleskine Watercolor Notebook (3.5 x 5.5 inch)






Explore - Question - Learn - - Enjoy, Jim 


Website - jimserrett.com 
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings




Saturday, February 13, 2016

Palapa Party !




I’ve got to tell you, there is no better way to boycott winter than to find a little patch of sand along the Caribbean Sea to occupy and just park it. Watch the sunrise, watch the sunset, cold cerveza and do it all again. Palapa party!




Punta Nizuc Reef Cancun Mexico - I could sit there (or lounge) all day and fill my Moleskine journals with sketches and never run out of things to draw or paint. I have said this a thousand times, so it does seem redundant, but the sea along the Caribbean in Cancun is one of the most beautiful in the world, just amazing. I could paint it forever, exploring and studying the colors, all the deep violets and endless cerulean blues.




There is no better way to recharge than fresh air and fresh scenery. For me to just scribble and doodle in a sketchbook in such a serene place, that is the best of all worlds. I carried a couple of sketchbooks, a 3.5x5.5-inch pocket Moleskine, a 5.5x8.5-inch Strathmore Watercolor Journal and a small watercolor pad. I had my old Winsor & Newton Field Box Set but used mostly a Lukas 1862 Artists Watercolors set, it had a color palette that seemed perfect for the sea and sky. I used a Rotring art pen loaded with Noddlers ink, both of which I really enjoyed drawing with. And of course a couple of Pitt Pens and a clutch pencil.





Of course we had to find Mayan ruins to explore and we snorkeled until my lips cracked. I think my wife is really a mermaid and swims like a fish. What I really appreciate is her patience with me when I am sketching on location, especially in El Rey where she had to combat the giant iguanas.





Just another beautiful sunrise in paradise. 



Explore - Question - Learn - - Enjoy, Jim 


Website - jimserrett.com
Studio Blog - jimserrettstudio.com 
Landscape Blog - Pochade Box Paintings



Monday, June 30, 2014

Watercolor Color Palette - Sketchbook



Whenever I use color in a sketchbook I like to make a small color wheel and color chart to see just how the watercolor reacts and lays down on the paper. It is also a good review about basic color mixing that we tend to take for granted.  A color palette is the actual range of pigments used by an artist, learning how they behave when they are mixed together is essential. Studying color is a fundamental aspect of painting and to that end artist create color charts and color wheels.

Materials Links:




Explore - Question - Learn - - Enjoy, Jim





Wednesday, February 26, 2014

Cancun Sketches


Cancun Souvenirs

Sketching on the beach in eighty degree sunshine, well; just pure heaven. Coming back to the states, one cold reality after another, one Arctic blast after another, Polar Vortex is the new word of the day. Lucky I have my Cancun memories and souvenirs to keep me warm.




It's easy to spend all day on the beach watching the waves. I spent much time just sketching and observing the dynamics of their action. There is a complexity to the energy in waves, add the play of light across them and they become one mesmerizing subject. Throw in a few cerveza, a nice lounger next to a palapa and stay all day…… Oh yea and sketch too…







Any meaningful work of art comes from observation and interpretation, which is ability to slow down and truly digest the beauty of nature around you and to express it visually in a personal way. Collecting memories, images and impressions with a sketchbook and watercolors can become inspiration and source material for later studio work. But if nothing else you end up with the best souvenirs.









Cancun Sunrise


Explore - Question - Learn - - Enjoy, Jim



Saturday, September 28, 2013

"...in Wildness is the preservation of the world." - Henry David Thoreau

Denali National Park and Preserve, Alaska

Sketch of Mt. Denali from Eielson visitor center  


This month friends of ours in Alaska invited Linda and I up for a grand Alaska adventure. This was a truly unprecedented opportunity to see the real Alaska with good friends from a unique perspective, they had won the Denali Road Lottery. Each September the Denali National Park and Preserve in Alaska hosts a four-day event called the "Road Lottery." During these four days, winners of the lottery drawing are given a rare day-long permit, allowing winners to drive personal vehicles the length of the 92-mile Denali Park Road. Routine travel in the park with private autos is prohibited and with exception of the Road Lottery visitors must use buses operated by a concessionaire to travel the park.

We started our grand Alaska adventure by visiting and hiking the Matanuska Glacier and jumping on the Denali Highway for a 135 mile journey along some of the most pristine and wild country anyone could image. Denali Highway is lightly traveled, mostly gravel road with a posted speed limit of 30 mph and is just a spectacular drive. Traveling this you get a real feel for the wildness and immensity of Alaska, and ending at Denali National Park you're treated to “the Great One” Mount Denali.

A place to remind you of the vastness and grandeur in nature and take you on a transcendent journey into the sublime.

Mount Denali photographed at Reflection Pond in the Wonder Lake
area within Denali National Park and Preserve, Alaska (9/15/13). 


 "...in Wildness is the preservation of the world."
                                                                                                  --- Henry David Thoreau




Explore - Question - Learn - - Enjoy, Jim